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Gee is a former member of the Alvin Ailey American Dance Theater and onetime member of Philadanco, with which she danced on the Joyce stage as a young artist. He is leaving to assume the role of president and chief executive of Playhouse Square in Cleveland, Ohio.
Playhouse Square, which celebrates its centennial this year, is the second largest theater district in the U. It includes seven resident companies, 11 venues, and the largest touring Broadway season ticket base in North America. A native of Spain, he succeeds Tim Young, who retired last November after 19 years in the job. He studied industrial engineering and business and is an accomplished cellist. The Abilene TX Philharmonic has a new executive director as of August 15 in Gerard Gibbs, a Baroque and Classical oboe player who has performed in a number of period and regular orchestras.
Jensen, who has her own band and is a frequent sideman on recordings, joined the faculty in The new award mirrors the Gilmore Artist Award won by Igor Levit, in , in that its nomination comes from a panel of anonymous industry insiders, whom Abramson is now charged with assembling and directing. The first award is scheduled to be made in Abramson starts September 1. Jen Luzzo has been hired by the Kennedy Center to oversee classical music public relations.
Previously in a related position with the New York Philharmonic, she arrived at the KenCen in early August and has a portfolio that includes the Washington National Opera WNO , the National Symphony Orchestra NSO , the Fortas Chamber Music series, all music education activities—of which there are many—and initiatives that explore the intersection of music and wellness.
In this role, Halbruner will be a member of the senior leadership team reporting directly to Dean Fred Bronstein and will provide overall strategic leadership to advance the Development, Alumni Relations, and Marketing and Communications programs for the Peabody Institute. He began his tenure on August 22, While there, Folkes provided leadership for the Advancement and Donor Relations team, advancing the Foundation in its mission to maximize charitable resources for local communities.
She will begin her tenure on September 6, Liberman is joining Trinity Rep from Hudson Valley Shakespeare Festival in New York, where she has worked since and has been serving as the managing director. She brings with her a history of fiscal acumen, organizational excellence, and community engagement. Choral Arts has selected Dr.
A fierce advocate of the classical and choral arts, Dr. Saplan joins the Choral Arts with experience and leadership as an artist, educator, and community leader. She will begin her tenure on September 19, Birdfoot Music Festival has named Rebecca Crenshaw its new executive director.
She succeeds founding executive director Tracey Sherry, who retired this summer. She is an alum of the Global Leaders Program, an executive graduate degree focused on social entrepreneurship and impact innovation, and previously worked within the New Orleans public schools, founding two string orchestra programs at Crocker Arts and Technology and then Homer Plessy Community School. Previously she served as executive director of the Annapolis Symphony and worked with a number of other classical organizations, having by now acquired 20 years in the business.
In Nashville, she will report to longtime President and CEO Alan Valentine and be responsible for overseeing day-to-day operations across all aspects: artistic programming, education and community engagement programming, orchestra operations, marketing and communications. Prieto succeeds Mark Slavkin, who created the department seven years ago and is now retiring. He will succeed composer-conductor Richard Mills AM at the conclusion of Maunder began his career in stage management at the then Australian Opera, and went on to senior management roles at Opera Australia ; as general director of New Zealand Opera ; and most recently as artistic director of State Opera South Australia.
During his tenure at State Opera, Maunder has championed Australian repertoire and the development of the next generation of Australian artists while also presenting a broad repertoire designed to reach the widest possible audience. RNS is the U. Beth Morrison Projects has a new executive director in Brooklyn-based Sam Linden, previously with TDC, a consulting firm that specializes in arts and culture.
Linden was previously associate director of marketing and communications at Yale Repertory Theater. At HCC Miller will oversee non-artistic operations, from marketing to finance and points between. Vernatter took over when longtime General and Artistic Director Esther Nelson stepped down at the end of last season. Tompkins comes to the job from the Woodman Museum where he served for four years as executive director, overseeing concert and lecture series, fund raising, and all administrative functions.
She also worked for many years in operations at the Peabody Institute, from which she holds an MM in voice and opera, and served as orchestra manager at the Aspen Music Festival and School. In Greenville, she succeeds Julianne Fish, who left in December after four years in the job. Cohen previously worked with the Philadelphia Orchestra for nearly ten years. Andrew Nethsingha, director of music at St. O'Donnell will remain at Westminster until then. Nethsingha, a graduate and onetime organ scholar of St.
He has also been artistic director of the Three Choirs Festival. Carrion as executive director, and John J. Atorino as artistic director. The former has been in the post on an interim basis since October, coming to the group from London, where he worked for New York University as assistant director of the Global Housing Administration. His affiliation with GMC dates to when he joined the London iteration, becoming the group's chair for four years, until Kate Kammeyer is the new executive director of the Berkeley CA Symphony succeeding Jim Tibbs, who is retiring after three years in the job.
Kammeyer is the former senior VP and general manager of the Rochester Philharmonic, as well as its interim artistic administrator. Prior to that, she was orchestra manager of the Philadelphia Orchestra, assistant dean of artistic planning at the Longy School of Music, and general manager and artistic administrator with the Los Angeles Chamber Orchestra.
The orchestra recently completed its 50th-anniversary season. Joseph Young is music director. The Detroit Symphony has named Jessica Slais to a newly created position—creative director of popular and special programming. He comes from the Buffalo Philharmonic, where he held the same post for four years.
Straz, Jr. Center for the Performing Arts beginning September 1st. An arts executive, theater administrator, revenue builder and dealmaker with more than 25 years of experience, Holland is currently the president of Brown-Holland Entertainment which provides business development services for Nederlander Worldwide.
Additionally, Holland is the chief operating officer for Lighthouse Immersive which aims to cultivate community and creativity through large-scale events and exhibitions of all art forms. The total value of the prizes is , euros, along with concert appearances.
It is something missing in today's society, and I want this focus to be brought back through the Festival. He succeeds the retiring C. David Keith, in the job since He also served as chair of the division of music. Dylla is the previous executive director of the Kirkland Arts Center and the VP of education and community engagement at the Seattle Symphony.
She was also the director of audience engagement at the Pacific Symphony in Orange County and is a Juilliard-trained violist. Pace University has named Jesse Carlo as its program head for musical theater. His CV includes helping develop the undergraduate curriculum at Columbia College Chicago for performing arts studies in acting, musical theater, and theater.
Before that he was assistant professor of arts and Humanities at Miami Dade College for six years. He succeeds Alejandra Valarino Boyer, in the position since late Robinson has extensive experience as a theater administrator, most recently as manager of artistic administration at Palm Beach Opera.
His previous postings included director of education and accessibility at City Theater Company in Pittsburgh and manager of community programs and accessibility at Pittsburgh Ballet Theater. That subsequently became the English String Orchestra, which specialized in English music, made over fifty recordings, and toured regularly in Europe.
Michael M. Kaiser is the artistic director of the Center and chair of the Washington, D. Prior to the BPO, Patrick held leadership roles in marketing and communications for the national arts service organization Americans for the Arts, and for the largest privately funded arts program in the world, Arts Brookfield, the arts and events initiative of global real estate corporation Brookfield Properties.
At Washington Performing Arts, Beyea will steward a team of internal staff and external consultants, focusing on audience development and engagement, earned revenue growth, and institutional promotion and storytelling across all platforms. Giddens, not coincidentally the artistic director of Silkroad, will bring with her a hand-picked roster see below , as well as witness the west coast premiere of her first opera, Omar, which receives its world premiere this weekend at the Spoleto Festival USA.
Celebrity Series of Boston has appointed Nicole Taney as its new artistic director. She takes over later in the summer. Tibbs is retiring after three years in the job. Isabel Pfeiffer-Poensgen, Minister for Culture for North Rhine-Westphalia, has announced that beginning November 1, , Ivo van Hove will become artistic director of the Ruhrtriennale for a three-year term.
He was also artistic director of the Holland Festival, one of the longest-standing Dutch music and theater festivals, from to On July 1 J. Jaffe, most recently in the same post with the Pittsburgh Ballet Theater, starts at the end of the current season, stepping into a position that McKenzie has held with distinction for 30 years.
Following her retirement in , she taught in the ABT Jacqueline Kennedy Onassis School and took on the aforementioned roles within the company. Jonathan Bailey Holland, recent chair of composition, contemporary music and core studies at Boston Conservatory at Berklee, has been appointed as head of the Carnegie Mellon University School of Music , as of August 1.
In the Boston Conservatory job since , when it merged with Berklee, Holland, 48, holds a bachelor's degree in composition from the Curtis Institute and a Ph. He joined Berklee College of Music in as assistant professor of composition; during his tenure, he worked with the Educational Testing Service in Ewing, N. Yarmila Alfonzetti is to take over as chief executive of the Queensland Symphony as of July She succeeds board member Valmay Hill, who has been serving as executive director since Craig Whitehead exited in to take over at the Sydney Symphony.
He has held the Royal Northern Sinfonia post since , along with the presidency of the Lakeland Sinfonia. Prior to Cleveland he was an artist manager with Opus 3. Joining the department as artistic administrator under Gidalevich is Michael Gandlmayr, the previous artistic administrator of the Seattle Symphony and formerly in the external affairs department at the St. Louis Symphony.
Steven Melendez is to succeed company founder Diana Byer as artistic director of the New York Theater Ballet , a troupe he joined as an apprentice in and, after winning the Rudolf Nureyev International Ballet Competition in Budapest, Hungary, studying at the School of American Ballet, summering with the major companies of San Francisco and Houston, was promoted to principal. Melendez has been a featured soloist with major international dance ensembles and performed the world premieres of works by Pam Tanowitz and Richard Alston, among others.
He succeeds Thomas Murray as professor to graduate organ majors and other students in sacred music, and will also direct a new professional liturgical vocal ensemble. In autumn, Richard Davidson-Houston will become the new managing director of Glyndebourne. Davidson-Houston has been director of audience development and media for the last two years. His experience in media is extensive and includes past senior positions with Channel 4 and Microsoft.
Philippe Tondre and Katherine Needleman, principal oboists for the orchestras of Philadelphia and Baltimore, respectively, will succeed Richard Woodhams on the Curtis Institute faculty roster. The appointment of two oboists to head the program, which usually has five students, represents a change in approach by Curtis, which has been moving toward requiring all students to train with more than one major teacher. The new faculty also represent two different schools of playing.
Rachel Saltz, dance editor at The New York Times since , is to add classical music to her purview. In the latter category, she succeeds Zachary Woolfe, who was recently promoted from classical music editor to classical music critic, succeeding chief classical critic Anthony Tommasini, who retired. Saltz started at the Times in as a copy editor on the sports desk and moved to culture a year later. Murrow launched the group in and plans to retire and become board president.
She starts in July, having devoted most of her efforts in recent years to OperaUpClose, also a touring company, though a more experimental one. Symphony New Hampshire , coming up on its centennial season in , has a new executive director in Deanna Hoying. George E. Lewis, a professor of music at Columbia University and an outspoken advocate for the inclusion of Black artists in experimental music, is to be the new artistic director of the International Contemporary Ensemble.
A trombonist who is perhaps best known for his work in electronics, Lewis has been a frequent collaborator with ICE and a board member since Fleming as its new president and CEO. She follows James Cuno, who will retire this summer after more than a decade in the position. Her responsibilities at the Trust, which employs 1, people, include oversight of the J. Mark C. He is charged with finding a successor to Marin Alsop. Zachary Woolfe is moving from the position of classical music editor to classical music critic of The New York Times.
He succeeds Anthony Tommasini, who retired last year. Woolfe started at the Times as a freelance critic in ; he has been in the staff editorial position since Previously he worked at a publishing house and studied literature at Princeton University. The League of American Orchestras has appointed Caen Thomason-Redus as its VP of inclusion and learning, one of several leadership shifts at the organization. He will start at the League presently and remain in Michigan.
Fontana Chamber Arts , dedicated to the presentation of traditional and non-traditional chamber music performances, community outreach and collaboration with other arts presenters, has named Bradley Wong, former director of the School of Music at Western Michigan University, as its director. Wong will join Fontana on May 1, He will begin his tenure on May 1, Arts Consulting Group ACG , provider of hands-on management consulting services to the arts and culture industry, announced that Trinity Villanueva has joined the firm as associate vice president in Washington, DC.
She will be an active member of the leadership transitions team. Prior to joining ACG, Villanueva led the nonprofit organization Public Art Reston as executive director, shining light on community inclusion and equitable public art processes.
Based in Chicago, Davis brings more than 25 years of experience in arts and culture education, management, and leadership in nonprofit organizations and municipal agencies. Cumbo previously served as majority leader in the New York City Council, representing the city's 35th district.
Based in Seattle, Fife is an expert in strategy, leadership, and governance. He brings 25 years of experience in founding and leading nonprofits and public programs in the arts and creative sector with an extensive background in executive leadership transitions and organizational design, finance, strategy, and governance. Having previously served on the Junior Board, Dr. May and Ms. Reed as its new executive director, starting full time on June 6, He succeeds Rick Mackie, who retired last June.
Reed arrives after six years in the same position with the Plano TX Symphony, capping some 30 years working with orchestras in a variety of jobs. Germain-Gordon, interim executive director for the last nine months, to assume the position on a permanent basis. She succeeds Kelly Tweeddale, in the role for less than two years. Germain-Gordon will partner with Artistic Director Tamara Rojo, when she arrives later this year, the first new person in that post in nearly four decades.
He is a former artist liaison at Aspen. Violinist Nicola Benedetti is to be the next director of the Edinburgh International Festival EIF , becoming the first woman and the first Scot to lead the year-old late summer celebration of music, theater, opera, and dance. Benedetti has worked closely with Sistema Scotland for several years, has established her own foundation, and offered free online music lessons during the pandemic.
Figueroa has joined the firm as associate vice president. Figueroa brings 30 years of experience and has worked as an arts administrator, live event producer, director, performer, and playwright within in professional theater, educational theater, film, television, radio broadcasting, and arts event management.
February Kate Rockett, who for six years has been director of artists and repertoire and executive producer for the Pentatone label, is to be the new general director of the Amsterdam-based Orchestra of the Eighteenth Century. The Met has declined to say what his duties will be; he certainly knows the place well, having done his fair share of stories about it over the years.
Before that, until May , she was artistic director of the Newport Music Festival for three years. She succeeds Nicholas Kenyon, who stepped down last September after nearly 14 years in the post of managing director. Recent hires at the Banff Center for Arts and Creativity have filled three key leadership positions: director of indigenous leadership, dean of arts and leadership, and director of dance training programming.
The program, which is celebrating its 50th year, trains leaders how to develop, implement, and measure the success of strategic plans. Participants also learn the skills and knowledge needed to run effective organizations and build economically sustainable communities. Mark Wold is the new dean of arts and leadership; with more than two decades experience in arts and leadership at the Center, Wold has developed and implemented programs in music, visual, and literary arts, and supported the growth of year-round indigenous arts programming.
Dillow began her tenure on December 13, Harris began his tenure on November 8, Ahrens has joined the firm as vice president to expand the revenue enhancement area. Ahrens has 30 years of nonprofit experience in the arts, museums, and education sectors, including 15 years in senior-level management positions. Oakes brings with her decades of experience as a string quartet and chamber music performer, an arts entrepreneur, and a chamber music coach and presenter.
January Col. Larry H. Lang, commander and conductor of the U. He succeeds David Hyslop, who's been serving as interim since September of Lang arrives after nearly three years in the same post as executive director of the Flagstaff AZ Symphony. Moving to Amarillo, he says, brings him closer to his grandchildren. Lang has spent 29 years in the USAF, serving in various capacities, from combat to conducting.
The Chattanooga Symphony and Opera CSO , which presents about 20 pops, symphonic, and chamber concerts a season, has named John Kilkenny to succeed Samantha Teter as executive director, starting March 1. In the job since , he is credited with expanding programing and enrollment, as well as successfully raising the festival's profile and its funding base.
The DCMS presents five concerts a season, mostly by touring groups. Greene Performance Space, a new position. Des Moines Metro Opera DMMO has named Allen Perriello, recent head of music at Minnesota Opera, as director of artistic administration, a new position succeeding the previous one of artistic administrator, held by Samuel Carroll, in the job from Perriello, also recent director of the young artist program at Glimmerglass, returns to DMMO after having served on its music staff from He starts next month, as the company launches its 50th-anniversary season in March.
Pensacola Opera , which in this its 39th season performs two performances each of The Magic Flute and the Barber of Seville, will realign its staff as of August , when Jerome Shannon retires after 20 years as artistic director. Cody Martin, with the company since as conductor and overseer of resident artist and community education programs, will move up to the post of music director. Corey McKern, a baritone with experience on a number of opera stages in the southern U.
Chandra McKern becomes general director, having previously held the post of executive director. She first joined the company in Shannon, meanwhile, is to be titled principal guest conductor. On Jan. She follows Helgi Tomasson, in the position for 37 years, and will join the company at the end of Rojo will be coming to San Francisco from the English National Ballet, where she has been artistic director and lead principal for nine-and-a-half years.
Her tenure has been characterized by a creative program balance between new and contemporary choreography and a commitment to re-contextualizing classics to directly address pertinent social issues. Prior to joining Cleveland in , Williams, 42, was artistic administrator of the San Francisco Symphony. In St. In Los Angeles Shelby D. With the aim of championing an inclusive culture across the organization, she will be charged with overseeing the recruitment, development, motivation, and retention of a team that prioritizes diversity, equity, accessibility, and inclusion.
A native Angeleno, Boagni has a B. Santourian arrives from the Aspen Music Festival and School, where he has been VP for artistic administration and artistic advisor for 18 years. Also new at the Boston Symphony as of this month is Maureen Flores, in the position of chief development officer. Flores has been with Bentley University since and, since , has been its VP for advancement.
Previous higher education advancement posts have included Fordham and Harvard universities and the University of Cincinnati. Tino Gagliardi has won a three-year term as president and executive director of the NYC Musicians' Union Local , the largest local union of professional musicians in the world. His election, which was unopposed, represents a fourth time around for Gagliardi, who served in the same capacity from to He succeeds Marie-France Lefebvre, in the job two years; she plans to remain on the faculty as professor of opera.
The Raymond F. He relocated to South Florida in to head music and film programming at The Society of the Four Arts in Palm Beach, where he served for four years. His appointment results from an organizational overhaul that has combined two co-executive director positions into that of a CEO and elevated a part-time artistic director to fulltime status. For nearly 20 years Streetwise Opera has engaged world-class artists in collaborations with people affected by homelessness; it currently operates singing and creative workshops in London, Manchester, and Nottingham.
He takes over in March, as Parsons remains in the job through November in the post of president emeritus, a position to which she was named in perpetuity by the board last year. Among a host of accomplishments, he is credited with heading the search committee that found Jader Bignamini, and was also involved in launching the Live from Orchestra Hall webcasts in , making it the first orchestra in the U. The Monteux School and Music Festival , the six-week conductor-intensive founded by legendary maestro Pierre Monteux in , has a new executive director in Stan Renard, an alumnus of the school.
Renard succeeds Marc C. Renard takes over in the season, which next summer runs from June 19 to July 22 and is currently accepting applications from candidates 18 and up. The Mississippi Symphony Orchestra , which celebrated its 75th-anniversary in the season, has named Jenny Mann as its next president and executive director.
Mann is associate professor of bassoon and music management at the University of Alabama, where she also serves as coordinator for the arts administration degree. She authored the widely adopted textbook Teaching Woodwinds: Bassoon and has recorded three albums with the Cavell Trio.
He was recommended by his predecessor in the position, Ernesto Palacio, also a Peruvian tenor, who has held the job since She succeeds Helga Rabl-Stadler, who held the position for 27 years. For the previous 15 years she held international management positions in Germany, England, and Austria. Artistic Director Kevin McKenzie has also announced his intention to retire, at the end of Edmonton Opera has hired an artistic director known for his bold programming ideas, Joel Ivany, founding director of Against the Grain Theatre AtG , whose moniker defines its mission of presenting off-beat updates of operas in unusual venues.
Ivany, 41, succeeds Tim Yakimec, who left earlier this year after eight seasons. In addition to his new post, Ivany will remain artistic director of AtG as well as director of opera at the Banff Centre. He also guided the metamorphosis of the Warner Grand Theater into the Bradley Symphony Center and oversaw the transition of operations to the new facility after it opened in January Washington Performing Arts , D. The Little Orchestra Society L.
Now executive director, Anthony C. Ball, succeeds Joanne Bernstein-Cohen, who died in August at the age of She had been with the L. Brookes, in the job four years, is the new administrative director at the Juilliard School. The organization cites his past consultancies and affiliations with the major orchestras of Colorado, Minnesota, and Cincinnati. Graham Parker is to serve as interim executive director of the Louisville Orchestra.
He steps into the vacancy left by Robert Massey, who left in May after one year in the job. In Louisville his tasks will include the search for his permanent replacement. October The San Francisco Opera has engaged Lisa Bury as its chief philanthropy officer, reporting to General Director Matthew Shilvock and overseeing the department responsible for the annual fund, institutional and major gifts, grants, corporate sponsorships, planned giving, endowment and capital campaigns.
She arrives December 8 after two years in a similar post with the Dallas Opera and, before that on an interim basis, the Boston Symphony and other classical organizations, including 14 years with the Lyric Opera of Chicago. Shterenberg, who played with the BFO from before switching to arts administration, arrives from San Antonio, TX, where she served as executive director of the Olmos Ensemble, an emerging chamber group.
His name is Flynn Le Brocq and he starts in January. His recent startup projects have included the Stay at Home Choir and music concierge service Haus Musik. Flynn trained as a singer at the University of Edinburgh. A new post of CEO has been added, designed to oversee all administrative and operations.
He succeeds Amy Williams, who left the position of managing director last fall and is now executive director of the Savannah Philharmonic. A respected policy strategist known for his diplomatic approach and ability to bring people together, he brings more than 30 years of experience guiding community-based, regional, and national arts and service organizations.
His areas of expertise include board relations and leadership, strategy, organizational management, resource optimization, and diversity, equity, and inclusion. Based in Portland, OR, he has worked as a producer, director, educator, and arts administrator at theaters and universities, bringing more than 20 years of experience as an arts leader at both start-up organizations and venerable institutions across the United States.
He will began his tenure on November 1, Harrington has held several positions at the Detroit Symphony Orchestra, where he has worked since Most recently serving as senior director of jazz and The Max, he was responsible for marketing and programming local, national, and international talent, ensuring a sustainable business model to attract and retain new audiences. Chang, professor of violin at the University of Massachusetts Amherst, has been a member of the festival's faculty since She succeeds founder Kevin Lawrence.
She began her tenure on June 21, For more than a decade, Ms. Evins held various leadership roles at Chapman Cultural Center, a South Carolina arts agency that provides major funding and support for local arts and culture organizations. Most recently serving as the president and CEO, she oversaw facility operations, marketing, cultural tourism, arts education, grant-making, public art, and advocacy. She also facilitated equity, diversity, and inclusion training for the cultural sector and expanded cultural facilities to include affordable studios and co-workspaces for artists to collaborate, teach, and hone their skills.
She will succeed Priscilla M. Luce, who has been in the role since the previous leader, Maud Lyon, retired on July 31, As of Sept. He succeeds Thomas Oberender, in the position since and leaving at his own request. He has also worked as an arts journalist and theater critic. Toledo Opera has named not one but two artistic directors to succeed James Meena, who left as general director and principal conductor last year to take the same post with Opera Carolina, in Charlotte, NC.
Bylsma has been with Toledo Opera on and off since , originally as a rehearsal pianist and chorus preparer. Both will be working with Executive Director Suzanne Rorick and all three will be involved with season planning. Music preparation will fall mostly to Bylsma, production to Norman, and together the duo will make casting, design, and direction decisions. She succeeds Mary Jo Heath, who retired in May after five years in the job. She began her tenure on September 13, Most recently, Ms.
While there, she identified hurdles for diversity within Hollywood and devised practical solutions to improve diversity, equity, and inclusion in the industry and agency. Mayes previously served as director of education and community engagement with the Cincinnati Symphony Orchestra.
She began her tenure on September 7, Harper has been a principal dancer with Frankfurt Ballet and a featured performer in Broadway shows. Sought after for her expertise and experience as a consultant for major film and stage productions, Ms.
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An accomplished ballet dancer and choreographer, she succeeds Thordal Christensen and Colleen Neary, the founding co-artistic directors.
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