Betting raja imdb movie
Paruchuri Venkateswara Rao did an important role. Technical departments Story - screenplay - direction: Story of the film is in an old-format. There are a couple of interesting screenplay twists in the second half. If you look at hero's entrance scene, he gives away winning money to friend sister's studies. In Gharana Mogudu, hero gives away winning money to hero friend sister's marriage chelli nikka pakka.
When the purpose is to make a film as a tribute 90's films, you can't expect the direction to be fresh and new. Sampath made sure that there are fun elements in the first half and surprise elements in the second half. Other departments: Dialogues written by Paruchuri brothers are powerful as well as funny at times.
There is a controversial dialogue - "Edo choosukuni thodalu kotte type kaadura nenu". Cinematography by Sameer Reddy is mostly good. Cinematography for a few scenes in the first half is inconsistent. Editing should have been crisp. Fights are well composed. Production values are grand. Analysis: First half has a bit of fun. Second half has story and twists. Plus points of the film are Ram Charan Tej and dialogues. On the flip side, freshness in story and better handling of the film would have made this film connect with the contemporary audiences.
Racha film is made for fans and masses 2 out of 10 found this helpful. There is no proper transition from scene to scene which is imperative for any movie. If he could have polished his screenplay a bit and ensured that the flow from one scene to the other scene to be smooth without being out-of-place, the things would have been different.
For instance, the audience expect its the most popular "Vana Vana Velluvaaye" song to come with proper build-up but it just pops on to the screen without any hungama, which is a dampener of sorts. Also the danger posed by the villainous trio is not established properly. All the villainy showed was a bunch of uniformed jokers parading as security for Chaitra. For that purpose, the director had to bring in another villain in the form of Dev Gill, though he added nothing other than to repeat the Magadheera sentiment.
The director had no clue on how to elevate the characterisation of his hero and hence had to make the heroine reveal all his characteristics in one scene. Also the flashback episode in which Partibhan plays the father of Ram Charan, is surprisingly lackadaisical. In fact, the most powerful father character was reduced to be a victim rather than a savior.
Coming to the performances, Ram Charan is the one who carried the film on his shoulders. His diction improved a lot compared to "Orange" and he seems to be evolving as an actor. But he tried to imitate his father, Chiranjeevi, a lot and the deliberate attempt was seen in many scenes. If Charan concentrates on developing his own brand of acting than imitating, then he sure would be a powerhouse of a performer. He needs to develop that story and screenplay sense. The bravura he showed in selecting the director should have echoed in the story and screenplay too.
Tamanna, as usual looked milky-white than beautiful. She was mechanical in the role, unlike the spunk she showed in her last release, Oosaravelli. May be she was disinterested in the proceedings and so looked forlorn. For a change MS Narayana became a character actor than a comedian. Ajmal, the actor who thrilled with his villainy in Rangam, shines in his short role.
Few of the songs had good choreography and they would please their target audience.
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He could not dub for his role since he was shooting for a Tamil film in France. He revealed that all his action sequences will be with Charan only. The next schedule began at Sri Lanka in early July Tamannaah and Brahmanandam participated in the film's shoot at Hyderabad till 6 October after which the makers planned to shoot the film in China. During the shoot of Charan's introduction scene, the cables fixed to the train failed and Charan, who was sitting in a car on the railway track, jumped from the car and was injured.
Racha became the first Telugu film to be shot in the dense forest of interior China. On its completion, Charan took a break for ten days. Charan and Tamannaah were filming for a song sequence on a boat when the park's deputy director Sanjay Kumar insisted that the duo should use life jackets as they were entering a risky spot. After few disagreements, the film's shoot was temporarily halted and some long shots were shot when the duo used the jackets. The forest officials also restricted the entry of about 20 vehicles and members into the park due to which the shoot was limited to a small portion of a song.
He rejoined the shoot on 25 March to complete the remaining two songs. The former was released on 6 April while the latter was released a week later. Critical reception[ edit ] Sify called the film a "paisa vasool" one and stated "Both, actor Ram Charan and his director Sampath Nandi play a safe game by following the same pattern of earlier mass-masala movies.
Rachcha offers nothing new but has enough elements that entertain the mass audiences and mega fans. Even when you tune yourself into watching a mass entertainer and don't expect anything intellectually stimulating, you do miss the ingenuity and spark that were the hallmark of mass entertainer blockbusters like Singam , Pokiri or Kick.
On its completion, Charan took a break for ten days. Charan and Tamannaah were filming for a song sequence on a boat when the park's deputy director Sanjay Kumar insisted that the duo should use life jackets as they were entering a risky spot. After few disagreements, the film's shoot was temporarily halted and some long shots were shot when the duo used the jackets. The forest officials also restricted the entry of about 20 vehicles and members into the park due to which the shoot was limited to a small portion of a song.
He rejoined the shoot on 25 March to complete the remaining two songs. The former was released on 6 April while the latter was released a week later. Critical reception[ edit ] Sify called the film a "paisa vasool" one and stated "Both, actor Ram Charan and his director Sampath Nandi play a safe game by following the same pattern of earlier mass-masala movies.
Rachcha offers nothing new but has enough elements that entertain the mass audiences and mega fans. Even when you tune yourself into watching a mass entertainer and don't expect anything intellectually stimulating, you do miss the ingenuity and spark that were the hallmark of mass entertainer blockbusters like Singam , Pokiri or Kick.
Go without expectations and you will be entertained. He added "Clearly there are a lot of prospective hooting opportunities for the die hard Ram Charan fans. As for the other kind of audience, well, you'll have to ask them. We suspect they might just be feeling a little unattended". Though, the story is not that great and is quite predictable one, the ability of the director made it quite interesting.
They termed the film's presentation as a "lacklustre and ordinary" one.
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